Why travel?

//राही बन//

आराम और सुविधाओं से भरी बेरंग ज़िन्दगी जिएगा कब तक?
निकल बाहर और राही बन, रास्ते को बना अपना घर,
भाग उस मंज़िल की तरफ, जिसका पता ना मुझे है, ना तुझे
जा.. जी अपनी जिंदगी, क्यूँ की उम्र बाकी है बहुत कम..
ऐसी बेरंग ज़िन्दगी जिएगा कब तक?

One for the road
An empty stretch of road between Ujjain and Mandav, in Madhya Pradesh, India after almost 25-30 kms of non-existent roads.

I will admit! For me, travel had always something very tempting about it. My father, who is an avid traveller himself, sowed the seeds of love for travel. And when I was a kid, my mother (who is a History major) would tell me bed time stories about Xuanzang, Faxian, Ibn Battuta and Captain James Cook, and I would lie on the bed imagining myself as an explorer/traveller. Though I have not come too far from those bed-time-stories days, I think it has been good start, although late.

I have been able to cover only a small fraction of this magnificent land. For a starter, I have been breathless on Khardung La in the Himalayas, and have been dwarfed by the majestic mountains in Kedarnath, and have almost frozen in the waters of Gangotri, and have been mesmerised by the Ganga Aarti in Rishikesh. I have criss-crossed central India hopping from heritage sites to religious places, and have been wowed by Kailash temple in Ellora and paintings of Padmapani and Vajrapani in Ajanta, and have been transcended into another dimension while watching Bhashmaarti in Ujjain. I have been lazy in a Goan monsoon, and also have been awed by the magnificence of Hampi. I have crawled up and down in the coffee estates in the Western Ghats, and have also seen the calmness of the sea in Rameshwaram, and have been on the Vivekananda rock to see the three seas meet.

Wait! That’s not all. I have driven my beat Maruti 800 to places. I have ridden my Pulsar 200NS for thousands of kilometres. I have taken my Scorpio on multiple multi-thousand kilometre road trips, and have been on the roads for days together.

Ahaa… Wait! That’s not all, either. I have been stuck on the highway with a cyclone approaching. And as I spent my night in the car and the eye of the cylcone came really close, the howling gale almost blew the car away. And at least on two occasions I have been stranded on the road, surrounded by flood waters, and water levels slowly rising all around me. In such situations the natural choice boils down to either survival (an animal instinct) or humanity (that differentiates us from animals). In the small village I was stuck in on one occasion during the floods, there were at least two hundred more people stranded. And all of us were fed well by the villagers, without being charged a single penny. Without any idea how long the floods will last, wasn’t it brave of those villagers?

Had I been confined, I will not be having these wonderful experiences to share, correct? The travel experiences have shaped me into the kind of human I am at present.

Why I travel, explained in 3 P’s:

Places: Only words and pictures will not do justice to the places I have been to and the stories behind them. The befitting tribute to those places can only be paid by visiting and experiencing them first hand. How on earth can someone tell how it feels to be starved of oxygen at five and a half kilometres above mean sea level? Or, how it feels when water at sub-zero temperatures hits the calvaria? Or, how it feels being stranded in the eye of a cyclone and the gales are about to blow away your car?

People: The great explorers of the past were not dumb to have travelled the world and learn nothing. Humans learn best from experiences of other human beings. And what better way to meet new people other than travel? I have never seen more honest people than the Laddakhis. Being fed by villagers during the floods and for free was the best gesture any human to have ever showed me. I have had instances of total strangers coming and talking to me when I was on a ride to Odisha on my Pulsar 200NS and in the course of the conversation, telling me about places of interest nearby, or about the road that lay ahead. And, people are not always pleasant. I have also been conned many times during my travels. I call them “learning experiences”.

Passion: I am the happiest when I am on the roads, away from my desk, away from my flat. Only someone with love for travelling will understand this. Good news is, there is no way you will not fall in love with it after you start travelling. I mean, I wasn’t born with this love either. And those selfies at beautiful places are a bonus!

Few points of wisdom:

Something always goes wrong when one travels. It is the risks that make travelling even more enticing. Here are a few things that I keep in mind when I am travelling:

Time: When travelling, I always keep time in hand, and utilize it to the fullest extent. I divide my travelling days and set realistic targets for the same. Seeing places is a serious business, you see!

Lights (while self-driving): I have done a fair bit of driving/riding under the lights and have come to a conclusion that it is not worth it. It is a proven fact that human reflexes while driving are much less effective under artificial light. Then there is always the risk of unsocial elements, ghosts and unsocial-elements-dressed-as-ghosts at night. I hate ghosts and hence I try my best to avoid night driving. Pun intended!

Money: Not all places have ATMs. And post demonetisation, not all the ATMs dispense cash. I carry just enough to survive and overcome an eventuality and much less than an amount that will tempt someone to kill me. As a rule of thumb, I would start my day with Rs 5000, and replenish it back to that level at start of each day.

Maps and research: I carry a road atlas as a back up to the map on my phone. Most of the times, I do my route and stoppage planning beforehand. The most fun part of travel preparation is setting up an itinerary. I call it research!

When in doubt, I lie: If it is a self-driven road-trip, when asking for directions I always ask directions to the next big town on my route, and not to my destination. When the stranger I am speaking to does not seem right, or is too inquisitive, or both, I just cook up a story. Believe me, it is not a sin to lie when it comes down to safety. And I have a thing against serial killers!

Have fun: When something goes wrong, and something always goes wrong, I don’t get bogged down by the incident and look at the brighter side, instead. Remember, if you have no control on the outcome of a crisis, have a good time while having the crisis.

I also admit that I am yet to see the world, and have experienced just a fraction of what so many other people might have. Although late, I am glad to have started travelling. And travel I will!

Finally, let me repeat the wise words from John A. Shedd for you – “A ship in harbor is safe, but that is not what ships are built for.”

So, what are you waiting for? Pack your bags, and get out of the house. Go Now!

Credits: Poem at the top penned by your’s truly!

Note: Please get in touch if you have difficulty in reading Hindi, and would prefer an English translation of the poem instead.

In frame: A stretch of good road between Ujjain and Mandav. We stopped here to straighten our backs after 25-30kms on non-existent roads. Yes, that happens in a Scorpio too!

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.

She’s the only one I got

Ours is a unique “love” story, as one-sided as it gets. She is so good, all she has ever known is giving. And she gives without expecting anything in return. She gives without asking. She gives more than what I need. She gives more than what I deserve. She gives even if I hurt her, beat her up, or bruise her. She gives in joy. She gives in pain. She gives me whatever she has. She loves me!

Having used her mindlessly for all these years, having bruised her in unimaginable ways, having hurt her in worse ways than worst of my nightmares, I still found her by my side. And then, I realized that she is very very special. And… She’s the only one I got!

She’s the only one you got. And, she’s the only one we got.

Earth, yours, mine and each one of ours. Our “love” for her has been so cruel, we have done unimaginable things to her. We have always taken from her, more than our fair share, and without ever giving anything back, or giving back too little. In simple terms, we have raped her in every worst way possible.

There is no “humane” way of destroying our beloved little blue marble. Other lives on this once beautiful planet are suffering the repercussions of our actions. Ever imagined why we are acting the way we are? Because, we humans have a very wrong notion of “Oh, we are so entitled”. Because, we believe everything that exists on this planet belongs to us, and it exists to serve us. We can do anything we want to anything that exists on this planet.

We were capable of learning, we were capable of improvising. We learned, and we improvised. We also CHEATED! As intended, we did not use our learning and improvisation for betterment of other lives and that of our planet. Instead, we used them to take advantage of other lives, and to screw up our planet. And with time we have become so greedy, we do everything in excess. We eat more than needed, we use more than required and naturally, we waste more than we can have.

Do you remember those Hollywood sci-fi movies, in which an alien species invades Earth because it has exhausted the “resources” on its own planet? Do you like those aliens? No? Well, those alien characters are based on our greed! Having almost screwed up our planet successfully, we are now looking at other planets in the solar system and beyond, to implement our scheme of things and screw them up too.

All those cyclones, floods, unseasonal rains, droughts, rising temperatures and missing seasons of the recent times are a grim reminder that though she loves us unconditionally, our Earth can fall sick too. And when she does, all hell breaks lose! So, hoping that it is not too late, let’s do our bit to prevent her from falling sick. However small it may seem, but let’s start for once. Be it closing that tap, or switching off the engine at the traffic signal, or not using polythene, or reusing/recycling, or planting that one tree sapling. Let’s us do how much ever we can do. And let it not be restricted to mere symbolism.

As far as I am concerned, I do not use the AC in my car when I am travelling alone, not even in this hot summer. I had turned a vegetarian for some other reason, but I intend to stay a vegetarian for the rest of my life, because recently I came to know that animal agriculture for meat production generates more harmful greenhouse gases than all cars put together (read here). And with time, I intend to do more. Pitch in with my small little efforts, even if it sometimes results in discomfort for me.

Why am I doing this? For everything that I have put her through, I have realized that I can not live without her, quite literally! And I have fallen in love with her. Because, she’s the only one I got. She’s the only one you got. She’s the only one we got.

For her! Happy Earth Day, my love..

In frame: Sun rise at Naitala village, in Uttarakhand, India. This was the first morning I woke up in the laps of the Himalayas. The river in the bottom of the frame is Bhagirathi, “who” is called Ganga after Dev Prayag (Use of “who” is deliberate, because Ganga is now legally a living person. Read more about it here). All this serenity and tranquility in my mind were shattered, when I imagined the havoc floods of 2013 must have caused, scars of which were visible throughout my journey in the Himalayas.

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.

Could you repeat that, Mr Capa?

“If your pictures are not good enough, you are not close enough.” – Robert Capa

Well, that’s what Robert Capa said. But, who was Mr Capa?

Robert Capa was the “greatest combat and adventure photographer” in history. If you are not in the photography business or have got nothing to do with cameras, you would probably not know him. An accidental photographer like many of us, he becamse a legend because of the way he dealt with his profession – dedication and commitment.

The said quote was in the context of war photography. Robert Capa lived and died during an age when there were no fancy photographic equipment. And in that age, more often than not, one had to walk in to the thick of action to get that appealing frame. We are talking about bombs going off all around, bullets whizzing past ears. That thick of an action! And it was this “getting close” part which helped Capa in capturing some of the most dramatic photographs of the wars that he covered.

How is the quote relevant for me in this age, when we have all the fancy equipment we can think of: super-zoom telephoto lenses, the best sensors, and what not? How is it relevant for me when I have not seen a live combat in my entire life? Combat as in when people are trying to kill each other! And most importantly, how is it relevant in my life? Read on for the revelation!

Capa’s quote in the context of photography:

On a scale of one to telephoto lenses, how lazy are you? That’s a weird scale, isn’t it? Not when we are discussing photography.

First, let’s all agree that photography is all about interactions with subjects. Alright? The goodness of the photograph is directly proportional to how well the photographer has interacted with the subjects. If the broad genre is people, then it becomes interaction with people, and if the broad genre is wildlife and/or nature, then it becomes interaction with the nature (insects, trees, birds and animals included). Simply put, the photographer needs to get involved with her/his subjects. And one cannot get involved with the subjects without getting closer, can (s)he?

For me, capturing people was always difficult. I was shy by nature. I was not comfortable talking to strangers. For this reason, most of the times I came across as arrogant. When I say capturing people, I do not mean staying in my comfort zone, taking out that telephoto lens and start capturing people from far off. And then, out of those thousands of photos chose one that is reasonably good and call it “candid”. Well, nothing wrong in that! Nothing wrong other than the fact that I would be bull-shitting, if I say “I capture people”. So, to challenge myself, I took up making portraits.

The photographs where the subjects look right at the viewer, I find these photographs as most intriguing. I feel these are the photographs which connect with the viewer instantly. And to capture those, the subject must be aware, and one needs to abandon all the inhibitions and ask for permission from a total stranger. That is the thrill part!

And that is the level of involvement (“getting close” in Capa’s words) one needs, irrespective of the genre of photography. All or nothing, I tell you!

With time, as I develop my skills of making a portrait, I am also developing my people skills. Now, I do not mind approaching a total stranger and ask for permission to make a portrait. If it is a “yes”, you can see the result in the portrait above. And if is a “no”, I take it in the stride and keep working on my smile.

While making portraits, how do I know how close is close enough? Well, definitely not so annoyingly close that I am encroaching my subject’s personal space. But close enough to capture the right emotions.

Below is yours truly in action, while making the portrait above. That close is close enough, I think.

IMG_3305

I have never been caught in action, except for this one time, all thanks to my good friend Amit Kumar Singh.

Capa’s quote in the context of life:

I am going to tweak that original quote slightly.

“If your life is not interesting enough, then you are not living it from close enough.”

Well, you are alive, aren’t you? And what part of “being alive” do you find not interesting?

More about Robert Capa:

Capa lived and died in an age when there were no fancy photography equipment, in an age when photographers had to “make” photographs. Yes, he died at a young age of 40 back in 1954, when he stepped on a landmine while covering the French Indochina war. He had a love story too! He was engaged to Gerda Taro, another combat photographer, who was killed in the Spanish civil war in 1937. Capa contributed primarily to Life magazine. He clicked some of his most famous photos when he accompanied Allied troops during D-day invasion, in World War II. He was the co-founder of Magnum Photos. For all his association with war and death, here is his second most famous quote:

I hope to stay unemployed as a war photographer till the end of my life.” – Robert Capa

In frame: A flower seller in Gudimalkapur flower market, Hyderabad, Telangana, India. I initiated the talk by asking if I could take pictures of the marigold flowers she was selling, and she agreed. After the photographing the marigolds, I asked if I could make her portrait, and she agreed but said it is going to cost me. So, we bargained and settled for a “nominal” amount. So much for people skills.

Also, I have used a 3-step Brenizer technique here, for the first time. These are three photographs from top to bottom merged in to one.

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.

A promise to my witness!

The “Me” that descended from the Himalayas was completely different from the “Me” that had ascended about a week earlier.

My ego and beliefs were questioned at every turn of the switchbacks, while climbing up and down the Himalayas. And there are like a million switchbacks in the entire route. So the questioning was a million times over.

I thought I was better off the way I was when I started climbing! But, as time progressed I could sense that a change had been set in motion. It was the “Why” part that I was not able to comprehend! Why was I being put through the change, when life seemed so perfect? The “Why” was so overwhelming for my mind, that my emotions could not cope with it.

On my last day, I stood on the banks of Ganga, with tears swelling in my eyes. And I asked her “Why?”. All I could hear was her roar. I asked her repeatedly. Ganga did not answer.

But Ganga was a witness. She was there all along, in the form of Ganga herself, or Bhagirathi, or Alaknanda, or Mandakini, throughout my journey. And she had witnessed the beginning of my change. So, I promised Ganga, my witness, that I might not find an answer to the “Why” that I had asked her, but the change will continue. And when I return to see her again, I would return a better man.

Me being me, I still do not understand how much better is good enough. So, I am thriving to make myself better, in whatever way possible. Probably, there lies the answer to the “Why”!

In frame: Ganga Arati, Triveni Ghat in Rishikesh, Uttarakhand, India. This is a tribute to my witness, Ganga, who stayed by my side throughout my journey in the Himalayas.

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.

FRIGHT

“It is not advisable to stay here after dark. Please wrap up fast.” The guide said in the courtyard of the old palace as he collected his fees, and started walking towards the gate.

Being a photographer, she did not have any business staying there after dark. Photography is a tale by light, after all. But this time, it was different. This one was her first major complete wedding shoot, and the couple she was shooting could help her get more clients. She had just this one day for the pre-wedding, before the bride and groom got busy with the rituals from their respective sides. Without enough resources to hire a help at such a nascent stage of her career, she was doing everything on her own. And whatever help she had in the form of the guide, she didn’t have anymore, as the guide’s shift had ended.

As the sun reached for the horizon, she got some amazing frames of the couple during the golden hour. Within no time, the sun had set and the light was fading fast. Happy with the results, she called it a day and asked the would-be husband and wife to wait in the car outside, while she packed all the equipment and props. She thought the couple would enjoy some quiet time together, which was very hard to find just before the marriage. And meanwhile, she could put her thoughts together on how she would cover the wedding, while packing up in silence.

The conversation between the couple gradually turned into a murmur and then into a whisper, as they walked out of the gate in the front. That’s when the eerie silence of the old palace started to grow on her. The silence was intermittently being broken by the flutter of the pigeons’ wings as they settled for the night, and also by the shrill sound of the bats as they prepared for the night’s feast ahead.

She was almost done packing as she had her back to the closed door on the other side of the courtyard. Suddenly, she heard running footsteps from behind the door and the pigeons and the bats fell silent. And it turned so quiet that she could hear her blood rush through her veins. Unable to understand what was happening, she quickly packed rest of her stuff and was getting up when she heard heavy footsteps approaching her from the door behind, the same door she saw was closed few moments ago. She froze, stood there and the footsteps got heavier with each step, as they approached her from the back.

She had almost all her blood drained out, when the would-be groom walked in to the courtyard from the gate in front of her. Apparently, she had forgotten to give the couple the car keys!

DISCLAIMER: This is a work of fiction. Any resemblance to any person living or dead is purely coincidental.

In frame: A door on the left side of the open space behind Bibi ka Maqbara, in Aurangabad, Maharashtra, India. Bibi ka Maqbara is the mausoleum of Dilras Banu Begum, first wife of Aurangzeb. She was buried under the posthumous title of Rabia-ud-Daurani”. A low angle, the monsoon clouds and the fading light all added to the drama of this frame.

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.

In pursuit of immortality

“What is the price that you are willing to pay for immortality, Sultan?”, asked the Fakir.

“Whatever it takes, Oh Learned One! I have everything I need, except immortality. And immortality it is that I want”, replied the Sultan.

“Why do you want immortality, Sultan?”, asked the Fakir.

“Because one life time is not enough to spend all the wealth I have. And, because I want to enjoy all the good things that the world has to offer.”, replied the Sultan.

“What will you do once you have spent all your wealth and enjoyed all the good things that the world has to offer, dear Sultan? Because, it will be you who will be an immortal! Everything else comes with an expiry date. What will you do?”, asked the Fakir.

There was silence in the room…

The Fakir broke the silence and said, “But, I have a way to make you an immortal. You may die, but you will live on, through your deeds. You have so much wealth, utilise it to help the people in need. And as the head of the state, make sure that justice prevails. Be a peoples’ King, Sultan! That way, you may die, but you will live on in the heart of your subjects.”

It was a summer afternoon, and as the Fakir walked out, cool breeze entered the room. It was a sign of changing times. The Sultan had finally found a way to become an immortal.

DISCLAIMER: This is a work of fiction. Any resemblance to any person living or dead is purely coincidental.

In frame: The tomb of Sultana Ahmed, wife of Bahmani Sultan Ahmad Shah-Al-Wali in Ashtur village, near Bidar, Karnataka, India. The Persian blue tiles on the upper reaches of the tomb are very well preserved, having stood the test of time for close to six centuries.

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.

Gratitude and humility? Who the hell cares?

Can a brilliant looking flower be a brilliant looking flower, on its own? The stem plays an important role in how the flower turns out to be. It is the stem that connects the flower to the plant, supplies all its nutrients, and helps it stay fresh. And it is the same stem that keeps the flower above all the muck and mud below. The moment the flower gets carried away by its own persona, leaves behind the stem, and detaches itself from the roots, it will not have many moments of beauty left in it, and will end up being part of the same muck that it was once so distinguished from. Gratitude and humility play a vital role in a person’s life, the same role that the stem plays in case of the flower.

Swaying Himalayan Aster
Flower of the Swaying Himalayan Aster (Botanical name – Aster Molliusculus), a perennial herb found in the Himalayas, at altitudes of 1,800-3,000m above mean sea level. This one was on the banks of Bhagirathi (river Ganga as she is known before reaching Dev Prayag), on the way back from Gangotri, Uttarakhand, India.

I admit, I used to be a thankless person, and was not a humble soul for sure. Not because I had something against showing gratitude or humility, but because I felt I was entitled to things, people, or feelings. Hence, I never felt the need to show my gratitude, and be humble while doing so. I took tremendous pride in all the things I knew, in all the things I had achieved and in all of my capabilities. That’s the way I was! Until that day…

That day, the majestic mountains taught me humility. And when I was stranded on top of those mountains due to bad weather, I learnt my lesson on gratitude. I threw away my “red book of grudges” in those mountains, for good.

The learning process is a long way from being over, though. But, I feel I am making progress in the right direction. Over the months, I have realised that being humble is the best way to unlearn and learn life. And being grateful creates more space inside me for everything good that the world has to offer. Both of these together, they help me stay content, connect me to the world in a much better way and negate my ego. I must say, I have come a long long way from the day I was stranded on top of that mountain.

Now, the best part about us humans is, we do not necessarily have to experience something to learn. We can learn from others’ experiences as well, thus saving us precious time. So, here is my experience for you, in one sentence –

Be grateful for everything you have (even for having your annoyingly critical friend), be humble in front of everyone (even an illiterate or someone who comes from way below your social stratum), and you will find happiness!

In frame: Flower of the Swaying Himalayan Aster (Botanical name – Aster Molliusculus), a perennial herb found in the Himalayas, at altitudes of 1,800-3,000m above mean sea level. I framed this one on the banks of Bhagirathi (river Ganga as she is known before reaching Dev Prayag), on my way back from Gangotri, Uttarakhand, India.

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.

Drawing Parallels

I tend to start reading about people, places or things as soon as I develop a small interest in them, and then the interest tends to grow on me. It is as if I feel hungry, until a point where I realise that I have devoured every piece of information, or trivia that existed on the said topic – Bhimbetka was earlier this week (you can read here), and Amrapali the week before (you can read here).

However, the case of Hampi is completely different. I was on my second visit to Hampi within a year. And I did not understand the pull that Hampi exerted on me. Hampi was the capital of the mighty Vijayanagara empire. Having read megabytes about Hampi, to the point of obsession, the said pull never subsided. And no, it has got nothing to do with the other side of Hampi. And yes, recently, I cracked the curious case of the pull, the constant tugging that Hampi exerts on my mind, which I promise to reveal later in this post.

Ah, history books!

As a general practice, when reading about kingdoms, I tend to check what was happening in the Indian sub-continent, if not around the world, during the same time, hoping to chance upon a significant event, that might have mysteriously failed to appear in our history chapters. The more I read, the more I realise that we contemporary Indians have been made an ignorant lot. We, when focusing on any event in history, tend to ignore the events of a parallel time line, however significant those are. So do our history text books, conveniently.

The beginning of 16th century was a time of tremendous churning in North India. The Lodi Sultanate of Delhi was routed by a mere 12,000 strong Mughal army of Babur in 1526 AD, and Babur laid foundation of the Mughal empire in India, by defeating Rana Sanga of Mewar.

We all have read in our history books about Sultanates of Delhi and how Mughal empire was established, correct? What we haven’t read in our history books is this!

While Babur was ravaging North India, the lands to the south of Narmada were relatively peaceful. One man had subjugated the Sultans of Deccan, the Portugese on the west coast, the Reddys of Kondavidu, the Velamas of Bhuvanagiri and even the Gajapatis of Kalinga to the east. Though questionable, it is believed that Babur did not dare cross Narmada, fearing that one man and close to a million strong army the man commanded. May be, Babur preferred a buffer of sovereign states between his realm, and that of the man who could have easily become his nemesis. Krishnadevaraya was his name, most prominent Emperor of Vijayanagara, and the third one from Tuluva dynasty. He reigned for 20 years (1509-1529 AD), which is considered as the golden period of Vijayanagara, as well as southern India.

At a time when religious persecutions were common place elsewhere in the Indian subcontinent, mainly in the north, Krishnadevaraya ensured equal rights for every subject of his empire irrespective of the religion they practised. For a sovereign to prosper, its borders must be secured. He achieved this through his unmatched military acumen and diplomacy. He implemented many reforms that economically benefited all his subjects.

That’s not all! He was an accomplished poet, well versed in Telugu, Tamil, Kannada and Sanskrit. Art flourished in his reign, examples of which exist even today, either in the form of poetry composed by Krishnadevaraya himself or one of the many prominent poets who graced his court (Tenali Rama being most prominent of them), or in the form of exquisite sculptures that grace the temple ruins across Hampi. Vijayanagara emerged as the centre of intellect during Krishnadevaraya’s rule.

Vijayanagara empire ceased to exist after the battle of Talikota, in 1565 AD, when combined forces of Deccan Sultans defeated its army. The victorious armies plundered and pillaged Hampi for six long months.

There! A significant chunk of our own legacy that most of us are not aware of. I never read about the glorious Vijayanagara empire in my history books. And I bet, neither did most of you!

Finally, the promise kept!

Didn’t I promise in the beginning, to reveal the curious case of the pull, the constant tugging that Hampi exerts on my mind? Here it is!

Krishnadevaraya was the third from the Tuluva dynasty which ruled Vijayanagara empire from 1491 AD till its end. I recently discovered that rulers of Tuluva dynasty, were ancestors of the people that we know today as Tulus, primarily from the Udupi-Mangalore-Kasargod region of the Konkan coast. And my mother is a Tulu, that too from the warrior clan!

The pull or the constant tugging I was experiencing, was in fact of the people from the land of my mother!

In frame: A tourist exploring the ruins, in one of the many ancient gates of Vijaya Vittala temple, Hampi, Karnataka.

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.

Anatomy of a photographer’s mind

“The whole point of taking pictures is so that you don’t have to explain things with words.” – Elliott Erwitt.

Why do we take photographs? To document? To record? To cherish a memory, or as a key to the past… time travel, you see? And in worst case as evidence or proof. Right? For those of us who have difficulty with words (and even for those who have a way with words), it is easier and far less cumbersome to explain events through photographs. Ever heard of Instagram?

What would have we done if we had lived in an era where there was no Instagram or even cameras? Answer would be painting, yes? In most cases, we wouldn’t have painted those ourselves. Rather, we would have hired a painter. If we take out the elements of imagination and creativity, the primitive instinct which drives this behaviour is our propensity to record the events around us.

That, my friend, is the primary motive behind visual art! That’s where it all started.

Wait! How old is visual art?

Hold your breath!

The oldest existing painting is at least 40,800 years old (El Castillo, northern Spain). The oldest surviving examples of paintings in the Indian sub-continent are at least 30,000 years old, in the Rock Shelters of Bhimbetka, a UNESCO World Heritage Site, located in the Vindhya range in Madhya Pradesh, India. These rock shelters are believed to have been continuously inhabited right up to the medieval period. And the same primitive instinct which I mentioned earlier, was the driving force behind the paintings of Bhimbetka, for close to 30 millennia.

The procession (see photo) was one such event of ancient India, which the dwellers of Bhimbetka recorded. The painting is that of a royal procession, with possibly a very important figure seated on the decorated horse at the front. Some say, it is the royal procession of Emperor Ashoka, himself. Even I believe so, for three reasons. First, for the dwellers of Bhimbetka to depict something, it had to be an extremely important event. Second, Ashoka was the governor of Vidisha during the reign of his father, Bindusara, Emperor of Magadh. Vidisha lies about 90 kms north of Bhimbetka. And third, this painting dates back to the classical period which starts sometime around 3rd century BC, about the same time as Ashoka.

Now, go back up and the read the quote by Elliott Erwitt, while looking at the painting in the photo. Do you understand why we take photographs?

I got to confess, if not a photographer and a storyteller, I would love to be a historian. But wait, in a way aren’t historians storytellers too?

In frame: The Royal Procession, Rock shelter no. 8, Rock Shelters of Bhimbetka, Madhya Pradesh, India

You can read more about Elliott Erwitt here.

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.

All about doors

Whenever I see a closed door, I am in a fix. An urge from the child inside me to knock at it and vanish. And the more sensible adult urges me to let it be.

Jokes apart!

When I was in Chaukhandi of Hazrat Khalil Ullah in Ashtoor, Bidar (where this photo was taken), I saw a woman praying, with her young son playing around. She seemed to be ailing from health issues and she had chosen to knock at the doors of faith. There were other people praying too, and every one of them seemed to be ailing from health issues. All of them had chosen to knock at the doors of faith.

Doors… big, small, wide, narrow, fake or real. What is behind them? Something good, or virtuous? Or something sinister, promiscuous may be?

Aren’t they more like choices that life throws at us?

And knocking on a door is like trusting, you wouldn’t know if you trusted right, until you have trusted. Correct?

The doors we get presented by life are there for a reason. So, knock at that damn door, and see what it presents before you. In simplest terms, be inquisitive. Try everything!

Sensible Advise: Do not go knocking at closed doors literally if you are not fast on your feet or, not ready to face the consequences once caught, or both.

In frame: The door in the side alley of Chaukhandi of Hazrat Khalil Ullah in Ashtoor, Bidar. Hazrat Khalil Ullah was spiritual advisor of Mughal Emperor Ahmed Shah.

VERY IMPORTANT TO NOTE: Yes, you can share this work with proper attribution. But, please seek permission before using this work (not including the photo), partially or fully. YOU CAN NOT USE THE PHOTO. Believe me, asking is better than ending up in court or facing public shaming on social media. Thanks for understanding.

© Amrit Panigrahy. All rights reserved.